Dive into the archives.
- My TEDx talk: Me-We
Here’s a presentation I gave a couple months ago as part of an event called TEDxFactory798 in Beijing. It covers a few projects that I’ve done in China and some of the aspirations behind them.
You can see the other presentations from that day here:
Neville Mars – Taming the Beast that is Beijing
Megan & KC Connolly – Bringing Together Art & PeopleOr, if you’re trapped behind the Great Firewall, watch em on Tudou here.
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- Beautiful Dark Twisted Houston Fantasy

Man alive. I’ve been holding off on getting the new Kanye album (despite the many rave reviews: 1, 2, 3, 4, 5) because I’ve got a bunch of work to do and don’t want to get too distracted. But a couple of days ago, on recommendation of my friend Robin, I downloaded a chopped and screwed version called ‘MY BEAUTIFUL TWISTED DARK HOUSTON FANTASY’ and, man, it is Goddamn amazing and now I don’t know if I can even listen to the original version.
It’s the full album maestroed by DJ Candlestick and hosted by future mayor of Houston OG Ron C. You can get the whole glorious thing free HERE, but here’s a sample:
Kanye West w/ Pusha T – Runaway (Chopped & Screwed)
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right-click + ‘save link as’ [mac] / ‘save target as’ [windows]I posted the original a little while ago. Here is it again for comparison:
Kanye West w/ Pusha T – Runaway
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Besides the obvious chopping and screwing a couple other great songs are mixed into the Candlestick version. Here they are too…
Outkast – Elevators
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Cam’ron w/ Kanye West – Down and out
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(Love to Rotterdam where I rinsed the hell out of this song…)Music.
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- Chart: The Causes of Mortality
Today, while looking around for a graphic to explain how the StuxNet virus works, I stumbled into an interesting article on the communicative power of charts. It features three beautiful and hugely influential historical infographics, including the one above. “Diagram of the Causes of Mortality in the Army in the East” was created by none other than Florence Nightingale and its existence is probably common knowledge to all students of 1. statistics 2. diagramming 3. nursing 4. the Crimean war. Being none of those things, my mind was kind of blown. Anyway, here is the back story:
Although remembered as the mother of modern nursing, Nightingale was an accomplished statistician too. She was particularly innovative in presenting data visually. The example above, of a type now known as “Nightingale’s Rose” or “Nightingale’s Coxcomb”, comes from her monograph, “Notes on matters affecting the health, efficiency and hospital administration of the British army” published in 1858. In the same year she became the first female fellow of the Statistical Society of London (now Royal Statistical Society).
The chart displays the causes of the deaths of soldiers during the Crimean war, divided into three categories: “Preventible or Mitigable Zymotic Diseases” (infectious diseases, including cholera and dysentery, coloured in blue), “wounds” (red) and “all other causes” (black). As with today’s pie charts, the area of each wedge is proportional to the figure it stands for, but it is the radius of each slice (the distance from the common centre to the outer edge) rather than the angle that is altered to achieve this. Her principal message—that even during periods of heavy fighting, such as November 1854, far more soldiers died from infection than from wounds—can be seen at a glance. She sent the chart to the War Office; and it is a fair assumption that it contributed to the improvements in military hospitals that she brought about.
Nightingale’s chart is a beautiful and persuasive call to action, but it is not perfect. The red, black and blue wedges are all measured from the centre, so some areas mask parts of others. The numbers of deaths from the various causes are not stated—although, to be fair, it was their relative size that Nightingale wished to show.
Read the rest here: The Economist – “Worth a thousand words”
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- The Boss w/ The Roots
“RRRRRRRRRRRRRRRRAAH!!” – Melle Mel
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- Hug the Police

Coming from America, I have always associated the police with a kind of bullying menace. Although I have seen many old films and TV shows featuring pudgy, gregarious, community policemen, I came of age in 80s & 90s, which was an era of aggro, steroid-fueled pigs of the Dirty Harry, Death Wish variety. So upon moving to Japan after college I found it kind of shocking that the police there seem to go out their way to promote a friendly, non-threatening image to their citizens. I was reminded of this today when I stumbled onto this fantastic collection of Japanese police mascots collected by Edward Harrison.
As a kind of disclaimer I should probably say that once you’ve broken Japanese law (or scared a Japanese person) and the police have you at the station, I think things change pretty drastically. And there is of course an Orwellian aspect to the kawaiification of authority, but still my impression and experience of Japanese police is that their default setting is friendly.
Anyway, here are some of my favorites (Text ©IdleIdol):
Konohakeibu (コノハけいぶ)

The bird symbol of Aichi is of course an owl, a Eurasian scops-owl to be precise which is called ‘konohazuku’ in Japanese. The migratory bird is found throughout Europe, Asia, and the Americas. Shinshiro in Aichi is a famous spot where the calls of the owls can be heard. So the first part of the name comes from the type of owl while the later, ‘keibu’ means police inspector.Yoichi-kun (よいち君)

Kagawa’s capital city, Takamatsu, was the location for an historic battle between the Heike and Genji clans. Nasu no Yoichi was a famed samurai who fought in the Genpei War and known for his skilled archery. An enemy of his side is known to have placed a fan at the top of a mast on one of his ships, and challenged the opposing side to shoot it off. Despite the fierce waves and the rocking of the ship, Yoichi hit the fan with just one shot. The bright and colourful mascot takes inspiration from this historical figure.Gorou-kun (ごろうくん)

On the 11th of November 1999 Gorou-kun was born and started working in public relation campaigns and traffic safety classes for the police. ‘Mutsugorou’ is the Japanese word for mudskipper and where Gorou-kun takes his name. The wide eyed mudskipper a creature common on the coast line of saga represents the police forces friendliness, their sense of justice and cheerfulness.Catch-kun (キャッチ君)
Catch-kun symbolizes the age of information and technology. He’s a robot who can quickly catch the voice of citizens and solve their problems.
(VERY FEEL: Awesome)Tateyama-kun (立山くん)

Tateyama was designed by Fujiko Fujio the penname for two manga artists called Hiroshi Fujimoto and Moto Abiko. They are most famous for creating Doraemon and Obake no Q-taro. Both artists came from Toyama but moved to Tokyo for work. The design and name of the character comes from Mount Tate (Tateyama) one of the tallest peaks in the Hida Mountains.Popularity: 5% [?]
- AInterview

Here’s a little interview I did with Ai Weiwei for the November/December issue of Flash Art magazine. In stores now, pick it up.
Your installation for the Unilever Commission recently opened at the Tate Turbine Hall in London. That seems to me a very difficult commission, not just because of the prominence of the institution and quality of past recipients, but due to the character of the Turbine Hall itself. How did these aspects affect you?
As you say, the Unilever Commission is a program that’s been running. I’m already the eleventh person invited by the Tate to do this. Of course, you see that those artists go in very different directions in terms of their personal histories, their artistic statements, and their public performance. This is important, because the Unilever Commission really is a public performance, since it’s in a public space that attracts a few million visitors and a lot of media attention. I felt that the work had to have some kind of relation to that condition. It could be a very minimal relation, but still you need to decide what kind of position you want to take. You’re not really trying to prove something to yourself or to challenge, but rather to speak very quietly but certainly about certain elements of life.
It’s really a metaphysical thing, because you present one work to the public, as a statement. It’s very difficult: it’s as if someone asked you to say one word about your life or your ideology. I think most people would say God, but my type of work is mostly about uncertainty. (more…)
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- Pic of the Day

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- Pic of the day

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- VERY FEEL podcast 1+2: Love Story

These days, I don’t have enough time to make mixes, but I still want to share music, so I’ve decided to start the VERY FEEL podcast, a series of unmixed mixes, arranged according to theme, released at irregular intervals, and tied together with spoken waffle provided by myself and a friend.
Below are episodes 1+2 which I made recently together with my dear friend Charlie. The theme is love. We picked and sequenced the songs so that they cover critical points on a trajectory from first meeting to marriage proposal. There’s supposed to be two more that chronicle suspicion, disillusionment, and breakup, so stay tuned….
VERY FEEL Lovecast 1+2
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right-click + ‘save link as’ [mac] / ‘save target as’ [windows]Tracklist
Jean Plum – Look at the boy
Tevin Cambell – Can we talk
The Shangri-Las – Past, Present, Future
Vybz Kartel – Virginity
Minnie Ripperton – Inside my love
SWV – Weak
Chuck Jackson – I like everything about you
Bootsy Collins – Telephone bill
Donald Byrd & The Blackbyrds – Think twice
Missy Elliot w/ Beyonce – Nothing out there for me
The Chi-Lites – Are you my woman? (Tell me so)
Jodeci – My heart belongs to you
Loleatta Holloway – Love sensation
Big Daddy Kane – Very special
Lenny Williams – Because I love you
Keith Sweat – Nobody (chopped & screwed)
Helene Smith – You got to do your share
Tony Toni Tone – Lay your head on my pillow
Johnny ‘Guitar’ Watson – Proud of you
Next – WifeyIt’s a double episode so it’s pretty long, but I think the time flies by. Let me know if want me to break into separate parts.
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- Joel Burns for Fort Worth City Council District 9
This is an amazing video. It’s a speech delivered last week to the city council of Ft. Worth, (Don’t Mess With) Texas. The speaker is Joel Burns, who reps District 9, and he pretty much lays out the hows and whys. For a little more context, check this piece by Margaret Talbot.
PS – This video has inspired a hundreds of others. Check them out at the It Gets Better Project.
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- Pic of the day

SMH Postcript:
The photo above was taken at the opening of ‘Sunflower Seeds’, Ai Weiwei’s installation in the Tate Modern’s Turbine Hall. (I wrote a text about the production of the work, available here) I guess this picture is now an historical artifact because the Tate has stopped allowing visitors to walk on the piece out of concern for their safety. NYT explains why.
Anyway, here’s one more photo – a shot of what might have been (and briefly was)…

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- Pic of the day

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- Let’s have a toast for the douche bags…
I know most people would put Kanye squarely in the DB category, but raw, sometimes misguided emotion is never something I fault an artist for and I’ll always have love for him. (For reasons I articulated once upon time here). Here’s his new song + a cool performance from last week’s Saturday Night Live…
Kanye West w/ Pusha T – Runaway
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- Sort of this summer

Today I resuscitated an SD card that I thought was dead. It had a bunch of photos from the past few months on it, so to celebrate I’m gonna post some up here. A very incomplete record but better than what I had when I got up today.
Here’s the soundtrack, probably the song I listened to more this summer than any other:
Nas & Damian Marley – Friends
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- Shameless Plug: Who is Architecture?

Who is Architecture? is a book based on my 2009 interview series for Domus China magazine.
The series tries to understand architecture by ignoring architects, speaking instead to their collaborators – the engineers, contractors, curators, educators, and digital renders on whom architects depend to realize their designs. The book features conversations with Michael Rock of 2×4, Lu Zhenggang of Crystal CG, Rory McGowan of Arup, Barry Bergdoll of MoMA, Jeroen Koolhaas & Dre Urhahn of Haas & Hahn, Reinier De Graaf of AMO-OMA, John Dekron & Markus Schneider of thismedia, Jennifer Sigler of Hunch/SMLXL, Mark Wigley of Columbia GSA, and Tan Xiaochun of Beijing Urban Construction Group. In stores in November; available from Amazon now.
(I’ve posted a few of the interviews here, here , and here.)
Some Pics:



My editor’s letter:
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